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Sign: "Emergency Shut Off Valve" Many prominent Pagans are now talking about consent culture and how to make Pagan spaces safer. It particular, I would recommend Christine Kraemer's Consent Culture 101: Basic Practices and Teaching Games, Yvonne Aburrow's Silence equals complicity: making Pagan groups safe for everyone, Shauna Aura Knight's Harassment and Boundaries, and especially Stasa Morgan-Appel's Some Experiences with a Culture of Consent and Radical Inclusion.

To me, a culture of consent means that activities only happen with the enthusiastic consent of all participants. It is where lack of enthusiastic consent is sufficient to stop an activity and seek better communication; a spoken "no" is not necessarily required. And it goes beyond sex and even beyond touch and into all interactions so that games and activities, religious rituals, and even conversations are all based on consent. If we establish an expectation for seeking consent in all things, maybe it will be easier for all us to create and respect boundaries in more challenging areas such as sex.

At a Pagan event, I was in the washroom with someone with whom I generally get along and she made a comment that I didn't want to engage with. I said "I don't want to get in the middle of that". She had started towards the exit as we talked and she then stopped in front of the door, blocking it, holding the handle, and proceeded to rant at me. It was brief – probably only 30 seconds – but I felt disrespected and annoyed. Had I been less startled, I would have spoken up, but it happened so fast. I don't think she thought about it either; she didn't consciously override me or disregard my feelings, but simply got caught up in her own head.

At a drumming workshop, the instructor asked each person to individually play back a rhythm. I decided to pass on that particular exercise, being self-conscious about my sense of rhythm. When it came to my turn, I told the instructor that I would prefer not to and he was fine with that, but someone else in the class said "we're allowed to not do it?". It shocked me that those around me didn't know that they were allowed to say "no" to something.

If we value consent as individuals and as a community, we will all develop the ability to lovingly enforce boundaries and respectfully step back if requested. That's what a complete culture of consent could help us all with. There's a phrase amongst people that are seeking to create "consent culture": "yes means yes". Instead of defining consent in terms of what we don't say no to, it is about seeking enthusiastic consent. Enthusiastic consent and participation is what we should want in all our rituals; it will make our magic and our worship stronger.

There a few things I consider non-negotiable to warn for going into a ritual: skyclad (especially if it is mandatory); blood drawing; and drugs, including alcohol, in the working portion of the rite (a small amount of alcohol in the food and drink portion seems acceptable to me as long as consumption is voluntary and an alternative is presented as equal in value). Unfortunately, I have seen or heard from trusted sources of all three of these things being sprung upon ritual participants at different times by ritual leaders who should know better. I believe that sometimes ritual leaders are using the element of surprise in these matters as ways to shortcut to intense experiences. By springing something controversial and difficult on the participants, they can provoke an emotional response to add to the energy of the ritual. I think it is a lazy way of creating a heightened atmosphere and has no place in a religion that calls all members priests and priestesses.

Warning for or avoiding nudity, blood, and drugs is just the minimum we should do, though. The next step would be doing what this year's event coordinator did at the Gathering: making sure all event descriptions include information about scents/incense and food so potential participants with allergies and sensitivities can make informed decisions in advance. Finally, I believe we should make it clear how people can opt out of any part of a ritual or leave the sacred space completely.

I feel like it is an incredibly powerful thing to be able to have a skyclad ritual at a Pagan event. I've felt and seen the magic that happens when people have the chance to be naked in Circle together: how people gain confidence and become more embodied, and sometimes even become more comfortable in their skin. I don't practice skyclad at home, but I lead mixed groups of almost strangers in nude rituals at the annual local Pagan camp (The Gathering for Life on Earth) because I believe it is important for the experience to be available there1.

This year, the camp's theme was "The Wild Hunt" and my ritual, called Challenges of the Wild Ones, was on the first night, at about 11 PM. This has been the traditional time slot for the "starlit skyclad" (known in previous years as the "nude moonlit"), and I like it for the feeling of jumping in to cold water: everyone who wants to take the plunge can do so early in the weekend, before they have time to talk themselves out of it. I know how much courage it takes for people, especially first timers, to take off their clothes in front of other people, especially if they are also coming to one of their first group rituals ever. I feel honoured that several times, my skyclad ritual has been someone's first group ritual besides the camp's opening. I am flattered by the trust they've put in me.

When I write rituals for strangers, I cast my mind back to when I was new to public rituals and I never include anything that would have made that self feel unsafe or embarrassed. So when I was writing "Challenges of the Wild Ones" and wanted to include a part where everyone had to respond to a question, I considered a couple of different ways of making that more comfortable while keeping the feeling of a challenge. One option I considered was to give the questions in the pre-ritual explanation so people would have more time to prepare their answer. This was ultimately rejected because I didn't want everyone distracted by thinking up and remembering their answers during the first part of the ritual. The solution I came up with was to offer the option of a silent response. Since everyone would have their eyes closed, people wouldn't necessarily know who spoke and who responded silently, so hopefully that would minimize peer pressure. Honestly, I expected most people would respond silently when given the option, but when that portion of the ritual started, every single person gave their answer out loud. I don't remember many of the answers - the answers were to the gods or spirits, so not mine to collect - but I was deeply touched by the authenticity and honesty in how people spoke. I felt that most people responded from deep truths, even when their words were simple.

Later that weekend, I spoke to someone else who had been in that circle about how that surprised me, and she said that maybe because I had given people an "out", they felt safe enough not to use it. This dovetails nicely with my theory that if we make it easy for people to know how to leave a ritual, they'll be less likely to want a way out. I don't think offering an opt-out option will usually result in a ritual of non-participants watching... if it does, the ritual needs to be redesigned from scratch.

The pre-ritual speech I had my priest give (while I ran down to the beach to finish setting up) included directions on what to do to opt out of an activity, permission to respond silently, mention that I would be touching people on the shoulder to prompt their response, and instructions to bring their cloaks and towels with them for the optional skinny dipping. Looking back, I would have liked to have added a note about how to leave the ritual completely. There was one originally, but when the opening ritual didn't include a circle casting, I hastily wrote a circle casting into my ritual and didn't have the time to thoughtfully consider how people should exit. I would have also made sure to draw attention to the ingredients in the food and drink (several people took only apple slices until they found out that the cookies were gluten- and nut- and dairy-free), and to mention that opting out or leaving would have no consequences and there would be no questions asked, though my priest and I would be available to talk or receive feedback throughout the weekend.

Our most popular Pagan liturgies hold that we are all divine, or at least all capable of reaching the divine on our own. If everyone is god/dess, or even if everyone is "merely" a priest or priestess, then we owe each other respect. One of the ways we can show each other respect is to seek consent in all things. It is the least we can do for our fellow deities.

1

Kitchen Witch Altar At the Gathering's hack space discussion group, someone asked the group about what they thought was the minimum requirement for a fulfilling ritual. One participant immediately spoke up with the word "flow". She feels that a ritual is working when the energy is flowing well. I completely agree with her, but I still feel challenged by how to consistently create that flow in a ritual.

A couple of hours after the discussion group, I found out that, due to some scheduling or communications issues, the skyclad (naked) ritual scheduled for that night had been cancelled. That saddened me, as the Gathering has always had at least one skyclad ritual, and it is many people's first chance to experience that. Someone offered me the time slot, if I wanted to pull something together. I decided to take the opportunity to try again with the Beltane: The Heart ritual that I had done for my regular working group a couple of weeks ago. I had been talking to members of my community earlier that day about that very ritual, and how I hadn't felt like it quite worked. It had looked good on paper, but it lacked flow. They gave me some great feedback, I did a quick re-write on my partner's tablet, and I ran the ritual again that night. This time, it worked.

The first time I ran this ritual, I had several things working in my favour: I had all my pretty altar decorations and ritual tools, I was running the ritual for a group that's familiar with my style and works well together, and I was well prepared. Yet, it felt rushed and the energy didn't flow.

Normally, I prepare my larger group rituals far in advance, and I have lists and tools and decorations and typed scripts and I sometimes even hold rehearsals. This time, I had two members of my group who had done the ritual before, a script on a tablet, some hastily written cue cards, a couple of strings of Christmas lights as lighting and decoration (no candles allowed in the camp's cabins), and ritual tools and food (sliced apples) and drink (water) scavenged from the camp's kitchen and laid out on a scarf on the floor for an altar. I knew that a lot of people had heard that the skyclad was cancelled, so I wasn't expecting many people to show up, but about two dozen came, many of whom I didn't really know and who had never circled together.

I think the biggest change I made was that, at the suggestion of my friends, we added a drummer to control the energy raising. A major issue with the first time we did this ritual was that the energy didn't have time to build properly. The rhythm never established and settled, and it felt rushed. The flow wasn't there, even in this group that knows each other really well and works together regularly. In the second version, the drummer kept the rhythm slower until it was clear that everyone was in beat together, and then the volume increased first as people began slapping the floor and/or their legs harder, then it began to speed up more naturally, feeling like a reflection of our increased heart rates from the exertion of hitting the floor over and over. After the ritual, my drummer and I were unsure of which one of us had been leading the speeding up of the rhythm, as it felt organic.

There were some changes I had to make because of the circumstances of the second ritual. For example, no candles and no incense (camp rules and allergies in the group) meant a simplified space cleansing, which I don't think had any effect either way on the group, maybe partially because we were a little more prepped for ritual, being in sacred space all weekend. But other changes made out of the circumstances improved the ritual further. First, the space we had for the second ritual was much larger than my living room and allowed for enough space for everyone to sit comfortably and both touch each others hands during the meditation and have room to drum and even move some during the power raising. Second, putting the altar right on the floor - because we didn't have a suitable table - meant that there were no visual blocks when everyone was sitting on the ground. In the first version, a full-sized altar in the centre of the circle blocked some people's views of each other, and I think that disrupted the energy flow as well.

Another victim of circumstance was my pre-ritual explanation. I get nervous talking in front of a group, and feeling a bit under-prepared meant that I did not explain to the second group exactly what I had in mind for how the power raising would go. I think this turned out to be a great thing for the ritual. When I ran the first version, I gave my group such a detailed description that I think it became part of the analytical, practical side of the brain. I think everyone was a bit self-conscious, trying to remember what was supposed to happen, and we were all thinking too much, trying to follow the instructions. In the second ritual, my much briefer explanation did not get into people's heads the same way. Instead, I just modeled the behaviour I had been imagining, and people followed along (or didn't) as they felt inclined. It let people go with their instincts, go with the energy of the group, and it felt much more natural... and it turned out much closer to what I had hoped for than the original, over-described attempt had been.

I can't say for sure what effect the fact that it was done skyclad had on the second ritual. It was an obvious difference between the two rituals, and there is a different feeling to a group when the members are maybe all feeling a little daring or a little vulnerable because they are all naked. Someone described the second ritual as "sensual", which definitely was not the case with the first ritual, and maybe the nudity, non-sexual though it was, had something to do with that. It may have been helped along by a small, but important, change in some of the words used. Before the second ritual, I changed every place where I had written "tears" to "sweat" (four changes altogether). There is a distinctly different feeling to "Lord of the wild and passionate heart, we call to You from our bodies. By flesh and breath and love and tears, we call to You..." versus "Lord of the wild and passionate heart, we call to You from our bodies. By flesh and breath and love and sweat, we call to You..." I think I will have to run some more rituals twice - once clothed and once skyclad - to see if any of the improved energy and flow can be attributed to the nudity. Those who circle with me regularly be warned: there may be skyclad ritual invitations forthcoming.

I won't say that the second ritual worked for everyone who was there, as whether or not a ritual works is subjective. However, I know it worked for at least some of us, and the energy in that circle was much more powerful than in the first one. I hope I can apply the lessons learned by contrasting the two experiences of this ritual to improve the flow at future rituals.

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